Above, pre-production prep at the location. Costume designer Frida E. Elmström marks the way the lines run across the body to blend into the wall from the camera’s point of view. Below, she’s adjusting the fit to make the painted pattern line up during the shoot.
The production stayed very close to the original storyboard, apart from the fact that I drew that in 16:9 and we (only) did the ad in 4:5 and 9:16.